SHIN Gyung Jin / Art and Power: Tracing the Figure of the Artist in Korean Art History (1) 藝術與權力 – 韓國藝術史中藝術家身份形象的遞變（一）
Define an artist. This is no easy question. It could be more productive to change the question to “Who is an artist?” or “Who has proven him-herself to be an artist?” PhD candidate researcher Shin Gyung-jin adopts a discourse analysis approach to trace the different meanings and usage of “the artist” at specific moments of history. How is the idea of an artist produced? Regimes of knowledge are questions of power control. Her archaeology focuses on Korea, on and off in relation to Chinese art history. 博士候選人研究員辛庚珍受福柯的考古思維啟發，重回多個世紀的「現場」去重新凝視不同時代建構「藝術家」的論述和權力效應。藝術家的定義的問題，變為「誰身體力行符合了特定時空的標準藝術家？」又或…。全文分四次發表。
Natalie Chao / Wilderness poems #4: “Close your eyes and tell me…”
Wilderness Poems #4, image & text by Manifesto 2 artist Natalie Chao 錄像宣言2創作人趙芷妮《荒野詩》系列作品 4.
Linda Lai / PUSH: the Quest for a Voice, in Search of a Body. 「推」∶ 探索嗓音、設置身體
An unpublished text by Linda Lai as an observer’s soliloquy on a 12-part interactive sight-and-sound sequence she created with Theresa Junko Mikuriya at the HK Art Biennial 2003.11-2004.01. Lai’s attempt to make sense of their automatic creation… Not an annotation, but an extension in the form of automatic writing describing what she sees on screen, an assertion of narrativity. 一篇於2003-04年香港藝術雙年展隨作品出現過卻重來沒有發表的文字，與組織緊扣卻多處留白的聲畫流隔岸對話。不假思索，想像眼前碎斷的畫面背後的世界。是延伸創作，推開無限可能的下一個小步。
Michael Leung / ON LAND 07: Pandemic-Thinking 「在地」七：大流行的思維
What is “inter-disciplinary thinking”? Michael Leung crosses the threshold: what about econolandscapes and cultural virology (Rob Wallace), plant thinking (Michael Marder), multispecies perspectives (Anna Tsing) and so on, to culminate in what is called “pandemic-thinking”?…「跨界思考」不算新鮮，卻遠遠未達日常生活的廣泛應用。梁志剛超前一步，引述近年回應「人類紀」危機而出現的學者的論述，如植物思維、多／跨物種思維、經濟景觀、文化的流行擴散…等，構成大流行的思維。
LAM Kin-choi / 林建才手繪「逆流索引」三：日子 DAYS, “Quotidian Diversions: Kin-choi Lam in search of time lost” 03
日子。林建才手繪。英倫小城遙祭香港。2019年10月。劉清華組合選輯。”Days,” Kin-choi Lam’s solemn thoughts on Hong Kong from Cambridge, UK. October 2019. Jess Lau selection.
Vennes Cheng / THINK-PAD series 03: Image constellation and the survival (Nachleben) of image「書寫作為思考」筆記系列三：圖像群與影像的續存
Contemplating the “Nachleben” (afterlife, survival) of images in Aby Warburg’s Mnemosyne Atlas, Vennes Cheng traces the intellectual sources of the anachronistic and biomorphic forces behind his phantasmagoric retrieval, a unique way to create art history as constellations of found objects, impulses, emotions, phenomena and complex temporality.作為藝術史的實驗，阿比沃堡最後遺作《記憶地圖》所用的「圖像（星）群」方法，牽涉到圖像的生存與復生。鄭秀慧透過德文 Nachleben 的不同翻譯，進一步理解這可形容為「幻象檢索」的導向如何擱置了年表、分期等結構，轉向視覺上的相似性、記憶的衝動、要體現的情感等的並置，衍生出實驗性的藝術歷史。
Natalie Chao / Wilderness poems #3: “Indonesia, no video”
Wilderness Poems #3, image & text by Manifesto 2 artist Natalie Chao 錄像宣言2創作人趙芷妮《荒野詩》系列作品 3.
LIM Yeon Kyoung / Independent publishing in Korea 2: the phenomenon of agential intra-action & care for the disenfranchised 獨立出版運動：行使權的內部運行，關懷被剝奪權力者
Yeon Kyoung Lim cautions against romanticizing the independent publishing movement afforded by digitalized work flow and free social-media transmission. Keying in on the labor situation, she has experienced the collapse of work and leisure, which results in free, exploited labor in intensive micro processes of work premised on a group’s affective solidarity. Are “techniques of care” a feasible solution to the pauperization of activism? 身在「江湖」的林妍卿著我們別把數碼化工序和社交媒體平台推動的「獨立出版」浪漫化。進步的另一面的現實，是「情感化勞動」以及長時間免費的「微」工序的投入，慢慢導致維權運動的「貧化」。如果人際關係如此重要，怎樣的「關懷技術」才發揮活化的作用？
Michael Leung / ON LAND 06: Third Time Lucky? 「在地」六：再三的幸運？
The bat. Confinement. A female goat. Graffiti “The future is female!” Electronic tagging. On-line conferences. Animal testing or not. The Joker… All connected — to our future. Michael Leung’s intergalactic thinking connects. 蝙蝠。限聚與禁閉。母羊。牆上塗鴉喊著：「未來是女的！」電子標簽。網上會議。應否用動物進行藥物測試？小丑。… 在梁志剛的系際思維裡，都可結連成為一體，預見未來。
LAM Kin-choi / 林建才手繪「逆流索引」二：命 LIFE, “Quotidian Diversions: Kin-choi Lam in search of time lost” 02
命。林建才手繪。英倫小城遙祭香港。2019年10月。劉清華組合選輯。”Life,” Kin-choi Lam’s solemn thoughts on Hong Kong from Cambridge, UK. October 2019. Jess Lau selection.
