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《菊生畫中天地》A world of no boundaries on paper, two young artists curate to engage

《菊生畫中天地》A world of no boundaries on paper, two young artists curate to engage

A chance encounter... Media artist Valerie Mak befriended 70-year-old Chinese ink-and-brush painter TO Kuk-sang, and decided to stage his show in Shamshuipo to mark their exchange. 因緣際遇,麥容嘉和陳偉恩替一位習畫將近七十年的杜菊生在一個小型場地籌劃個人水墨畫展。麥容嘉對過程有一番體會。

彈珠人28年後的潛能解鎖 The power of a 28-year-old bdaman player unlocked
I Dream That This List Would Be Rather Long... 推開後窗,我看見孜孜不倦的辛勞者在作業

I Dream That This List Would Be Rather Long... 推開後窗,我看見孜孜不倦的辛勞者在作業

Linda Lai, upon the School of Creative's 25th year, articulates her long-standing aspiration: rather than just producing artistic labor for the industry, we are nourishing enlightened future audience, including parents(-to-be), to keep art an open space.

A Pictorial Close-view Narration: WWII is in the details through miniature-making 另一種敘述法從小節看:立體模型場景特寫看二次大戰

A Pictorial Close-view Narration: WWII is in the details through miniature-making 另一種敘述法從小節看:立體模型場景特寫看二次大戰

Narrated battles are understood as causes and consequences. What would miniatures do? Highlighting history as vignettes and isolated scenarioas, they invite us to contemplate the gaps in between. 戰爭化為敘事往往強調了因果關係,手造的微型模型則更像小插畫,其真實性存活於小節和細工裡。

自討苦吃 I gave myself a difficult assignment...

自討苦吃 I gave myself a difficult assignment...

In Toy as Media 3, Wai-leung Lai changes strategy though still sticking to his favorite subject matter -- the battles of WWII. Surprise discovery: the hierarchy of events by significance could be mis-leading. How else to understand history? 《玩具媒介3》Toy as Media 第三集,黎偉亮的參展作品仍不離二戰軍事模型。因視力衰退老花加深,他將舊製作拍成照片加上新的註解,過程中卻無意地發現了一條隱隱約約的戰爭時間線,興起了說說這一段歷史的念頭。

Yan Wai-yin: Too Long Ago, Not Far 忻慧姸:《在不太遙遠的很久以前》

Yan Wai-yin: Too Long Ago, Not Far 忻慧姸:《在不太遙遠的很久以前》

Too Long Ago, Not Far, Winnie Yan's FPC open door solo (2023.09.16-10.08), turns the play with sight-and-sound fragments into a subjective-materialist time and space asserting a decentred subject. 《在不太遙遠的很久以前》 (據點打開門個人發表 202

不捨告別。Departure, unanticipated...

不捨告別。Departure, unanticipated...

Five friends started off a much anticipated hiking trip, but only four returned. FP's Taiwan writer Vanessa Tsai has been in the dark for five months, still making sense of loss and death, often unanticipated. Writing, a way to fill in the blanks... 據點台灣作者蔡季妙用字、詞、書寫去填滿友人意外墮崖後幾個月還在擴大的空洞。

談「縫補歲月」,冀「歷史毋忘」On the Mending Years, and How to Fill in the Gaps of History

談「縫補歲月」,冀「歷史毋忘」On the Mending Years, and How to Fill in the Gaps of History

How not to forget history? Wai-leung Lai turns to the concrete contribution of an object-based approach in installation art, following up on his last piece on the show Mending Years to assert the place of the non-expert in completing an art event as a form of social commemoration. 據點作者黎偉亮要求「歷史毋忘」要具體,也許在以「物」為軸的場域特定展覽《縫補歲月》中,他找到了裝置藝術所盛載的一點貢獻。

看「縫補歲月」,聽歲月留聲 Mending Years, fleeting sounds

看「縫補歲月」,聽歲月留聲 Mending Years, fleeting sounds

FP writer Wai-leung Lai visited group "Mending Years" as sounds from the past collaged to invoke contradicting thoughts about the 1960s and 1970s. Is there a single reading of the past? He starts with Linda Lai's "Domestic Moonlighting," Wong Kar-wai's films and more. 「據點」作者黎偉亮徐步於「縫補歲月」的五人展場中,聲頻片段拼貼湊合的氛圍喚起的是矛盾不一的記憶與論述。到底上世紀六七十年代是怎樣的?真能客觀定斷嗎?先由黎肖嫻的《家居副業》和王家衛等說起。

Two to three things about Father’s recollection of his parents 1960s-80s, and the untold facts of his writing journey 有關父親的回顧和上世紀文字活動的二三事:我的二十一世紀回望

Two to three things about Father’s recollection of his parents 1960s-80s, and the untold facts of his writing journey 有關父親的回顧和上世紀文字活動的二三事:我的二十一世紀回望

Taking her work as an open-journey in progress, Winsome Wong's "Blanks in the Pictures" are partially filled her father’s writings which take her to new discovery. Her response to father’s piece...黃慧心的《照片的空白》因著父親的寫作而豐滿了?發問的行動和帶關注的好奇心,刷新了黃慧心的創作模式。唸完父親的述說,對父親、祖父母和一九六零年代有了新的感觸。

Floating Projects Collective 2024