Category / Art Notes 藝文談暢
Art reviews and art criticism. Review on reviews. Critique on the practice of criticism. Back story to a performance. Free associations with a novel. Observations on the current milieu of art and social life. …
First exposure to 16mm shooting
On 22 July 2017, seven FPC members and friends participated in Richard Tuohy and Dianna Barrie’s 16mm workshop with two Bolex cameras. Using “reverse printing” method, we were able to “develop” two rolls…
Orientations: Boundaries Surveyed. A video art show I curated for EXiS 2017
Linda Lai elaborates on a video art program she recently presented at the EXiS 2017 (Seoul) to map a trajectory of practices in contemporary video art in the Asia Pacific.
計劃聚集記錄 Record of ensemble-plan
《計劃聚集》為「據點。句點」的原生遊戲系列《黃竹坑聚疊》。句點藝術群體會在區內拾遺，不加思索地處理著現成物料，推斷著現成/被棄物的物理性，可衍生的下一步。其後數輯聚疊遊戲行動演化出即興演出《據點空間壓力測試》系列、無意間訂下了的遊戲規則繼而鞏固了能夠容納各種裝置實驗的平台。這也許就是「據點。句點」作為身處黃竹坑的藝術工場的基調，是工場空間「變形蟲」地誌。Wong Chun-hoi, FP's Artistic Engineer, preserves a dense record of the process of staging FP's Assemblage game in a gallery in Taipei.
寫給會去看我鮮浪潮的人 To those who went and may come to see my video “Morning” at Fresh Wave 2017
To those who have watched his apparently uneventful video Morning screened at the recent Fresh Wave 2017, Don Tsang unravels the "thick and dense" thoughts underlying the work. 曾旭熙說《無念》：平淡的家常"細藝"背後的密集思考...
Levitated Potentiality: moving images at Art Central 2017 移形换步: 流動的影像
A moving image program Linda C.H. Lai curated for Art Central 2017 brought together film projection and digital imaging works to show experiments and innovations transcend what we call old and new media...
《吹脹．影像》繼續吹 “Expænsive Cinema”, keep blowing, keep expanding
9 FPC artists stretch the possibilities of the moving image -- the projecting apparatus, the projected image, the moving and projecting processes, projected surfaces, how and where... 九位「據點。句點」藝術家心目中的活動影像的膨脹性、膨脹度是怎樣的？他們多方對策：投影的器具、所投的影像何來、成像的過程、展示影像的「面」...
「曝光」之下 — 演後感 Notes on performing “Under Exposure”
「相片沉了藥水後從一將白紙慢慢顯影。」這就是「曝光」。張才生就個人展覽 《從觀看說起》 及閉幕演出《「曝光」之下》給自己作了一點記錄。Artist Samson Cheung reflects on his "exposure" (exhibition and performance) in his solo show at FP last December (2016).
The 20 videographic works by 16 artists in “Back and Forth”
Artist's Statements by 16 artists on 20 works of videography in "Back and Forth"...
hot cakes / hard kicks
"...I am still not very used to carrying a camera. Scenes captured in the footage do not have little similarity with what I actually saw on the spot." Winnie Yan, curator for "Back & Forth," recalls her videography one year ago.
剩物變變變…點止怪物咁簡單！From the scraps: more than monsters!
Kel Lok, FP member, artist of "Toy as Medium" and workshop host for "Monster Assemblage," shares with us the more-than-monsters created on 3 December 2016 with visitor-participants.