ART NOTES

Documentary Animation ‘Ever-changing Monument’ by Lilian Fu


傅詠欣 Lilian Fu’s latest work Ever-changing Monument is a documentary animation funded by the Hong Kong Arts Development Council (ADC).

Public Screening:
November 26, 2011 7:00p.m. at FPC

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Ever-changing Monument

7 minutes / 2011 / Hong Kong/United Kingdom
A work of animated documentary by Lilian Fu 傅詠欣

In this project, I want to explore the process of changing states of mind and memories through animation. The concept is to reproduce images of a video frame by frame interceded by paintings, inserts of texts and sounds.

A video-recorded interview with my grandmother in 2007 was part of an early exercise in visual ethnographic research. Ever since she died two years ago, other than her talking head footage, there has not been much left for our recollection of her, be it objects, photos, or other video documents. Hence there are many gaps and patches of emptiness in term of information. However, I found that, among all things, our memories of her are the most powerful resources if we want to trace who she is. Memories work in mysterious ways: how we recall a person may discount the ‘fact’, and yet the speaker’s recollection may alter the person remembered due to her personal point of view, personality, language habits and choice of vocabulary.

During the production process, I found that animation is a powerful method as it reviews the past in a more emotion-driven and intimate way which fills the gaps that live-action/photographic media rarely achieve.

The screening of the video work will be followed by discussion and sharing.

*This project is supported by the Hong Kong Arts Development Council’s Emerging Artist grant.

FORUM

Fung Moon Kee: making you mine 小號大造馮滿記

COMING UP this Saturday (September 10, 2011), 2:30p.m. at FPC.

video still from Fung Moon Kee

 

Fung Moon Kee: making you mine  號大造馮滿記 / 40 minutes / 2011 / Hong Kong /

A work of visual ethnography by Tiffany Yu 余智敏

For over a year now, I have been seeing the 85-to-be Lam Chi-yim, manager of a traditional embroidery shop in Yaumatei. I interviewed him, photographed him, and we chat.

Mr. Lam’s story could …

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FORUM

Pianovel: I play the piano to play you a song / an ADC funded project by Jolene Mok

August 8, 2011 (Monday) / 7:30 – 9:00 pm @ FPC

Pianovel: I play the piano to play you a song (30 mins / 2011 / Jolene Mok)

“Through looking into the learning path and practice process of five children, I (re-)study piano playing from an alien angle, to see, through the camera, in what ways piano is being played.” 

The screening of the video work will be followed by discussion and sharing.

*This project is supported by the Hong Kong Arts Development Council’s Emerging …

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FORUM

The Squatting Urchins…

THE TALE OF SQUATTING URCHINS (150 minutes / 2011 / Terence Chan)
 @ FPC, 2:30pm / Saturday, June 25, 2011

  

   Just a few hours after raw noon.

   Nothing to worry about. 

   No nuisance of metaphor.

   Discard the panicking shrimp.

   Worried minute after minute, I would do the counting. 

   Havent seen you before?

   Neither have I seen anyone yet. 

   Would you pass me some butter ? 

   From where in vacuum plain is the images quilted ? 

   The adjusted musician would tell me all about it. 

   Let them urchins fall tender calculated off the staircase. 

   No animals whatsoever where harmed in the making of this video. 

   Im sick today. . . please,  feel free to have some more.

  - terrence chan

 

 

 

 

 The Tale of Squatting Urchins …

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ART NOTES

The Signature of Documentary – thoughts from Open City London Documentary Festival 2011

 
 - Linda C.H. LAI
 

Photo by Linda Lai: Open City London Documentary Festival's opening event, June 16, 2011

To me, documentary is a total event that cannot be fully considered without taking into account the intention of the maker, relation between the maker and the documented, the use of the work in its life-span of distribution and circulation, the conversations it invokes, and finally other on-going discourses in which it works out its politics.

Textbook discussion on documentary film has often been caught up in issues of evidence of truth rooted in the camera’s being there and the photographic image’s indexical transparency. The shift to clarification of documentary as a genre, thus its visual and narrative practice as conventions, often results in reinforcing the acceptance of documentary works’  narrative constructed-ness …

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