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Searching for tag: childhood-memory

Two to three things about Father’s recollection of his parents 1960s-80s, and the untold facts of his writing journey 有關父親的回顧和上世紀文字活動的二三事:我的二十一世紀回望

Two to three things about Father’s recollection of his parents 1960s-80s, and the untold facts of his writing journey 有關父親的回顧和上世紀文字活動的二三事:我的二十一世紀回望

Taking her work as an open-journey in progress, Winsome Wong's "Blanks in the Pictures" are partially filled her father’s writings which take her to new discovery. Her response to father’s piece...黃慧心的《照片的空白》因著父親的寫作而豐滿了?發問的行動和帶關注的好奇心,刷新了黃慧心的創作模式。唸完父親的述說,對父親、祖父母和一九六零年代有了新的感觸。

關於當年父親艱苦謀生和先母幫補家計的二三事 Two or three things about my father's struggle through hardship and how my mother provided subsidies 1960s-80s

關於當年父親艱苦謀生和先母幫補家計的二三事 Two or three things about my father's struggle through hardship and how my mother provided subsidies 1960s-80s

To fill in the almost unconquerable blank spaces of her grand parents' days through the 1960s-80s, Winsome Wong asked her father to write what he remembers, a precious piece to add to the puzzles of Hong Kong's so-calle “golden age” of manufacturing industries. 為了填補照片和家常對話所留下的空白,黃慧心發現最好的下一步是請當年寫文章了得的父親去紀錄他的父母親的軼事,呈現的不單是她祖母模糊不解的過去,更是香港上世紀六十到八十年代小市民掙扎著活下去的面貌的清晰碎片。

PUN Tsz-wai / If an elephant never forgets, would it also yearn for the past that is gone? 大象可曾忘記?

PUN Tsz-wai / If an elephant never forgets, would it also yearn for the past that is gone? 大象可曾忘記?

“Born in the later part of 97, I never got to experience Lai Yuen. For me, it is a place constructed by words and stories. … I would hear bits and pieces about the park and, somehow, it became part of my own childhood, part of my own memory.” (Pun Tsz-wai)「我出生於1997年的下半年,從未經驗過荔園是怎樣的。它是個由別人的字詞和故事合成的地方。一點一滴的聽著,荔園好像就是我自己的童年,是我個人的記憶。」– 潘子懷

Floating Projects Collective 2024