Tag / visual ethnography
Linda Lai / La Casa 3: The Apartments: moving, day-dreaming 房子一二三之三：搬家、夢遊（1996-2021）
La Casa 3: The Apartments records a series of apartments, from Manhattan to different parts of Hong Kong, where the artist and her partner took abode. A 18-minute exercise of the mind's power to remember, from the most material to the unspeakable... 如何說自己的居所？只想為生活的內部節奏留些可歌可譜的痕跡，核心是白日的失神、晚間的夢魘、錯置、不明所以，走一步就是一步。作品，就在表達與木訥之間進行了一次18分鐘裹藏著的念力。
Linda Lai / Videography as Tentacular Practices: “Linda Chiu-han Lai, Retrospective,” C3A, Spain 錄像書寫作為多觸創作（黎肖嫻錄像回顧選輯）
Linda Lai wrote "Videography as Tentacular Practices" to introduce the "Linda Chiu-han Lai, Retrospective," 2021,02.05-06.13 at Centro de Creacion Contemporanea de Andalucia (C3A), Cordoba, Spain. 黎肖嫻為 2021,02.05-06.13 在西班牙科爾多瓦的安達盧西亞當代美術館的《黎肖嫻回顧展》寫「錄像書寫作為多觸創作」陳述她的創作方法和理念。
Manifesto 2 team / Documentary impulses: what to remember, how to remember (1) 紀錄的衝動：如何記住，記憶的實作（一）
Manifesto 2 artists have started to meet on-line to examine the what, why and how of their videographic practices as ways to remember. This is the first of a series to report on the artists' conversations. We kick off with team-members' words from Linda Lai, Winsome Wong and Elaine Wong on how they envision the project. 「錄像宣言2」的創作者的在線對話已經啟動，將在此園地陸續發表。首先，團隊成員的其中三位 - 黎肖嫻、黃慧心、黃淑賢 -- 先來道出這次計劃點滴心思與憧憬。
Home-making 3: visions of home & its making 間房要不要牆? 3 – 築室
10 artists on “home” and its ramifications on-site exhibition until 26 July 2019 | 2nd screening + forum: Saturday, 20 July 2019, 6:00-10:00pm 李偉盛 Shing Lee on home-making… 阿嫲走了，但陪她走過的加州陽光，還陪著我走 Granny left us,…
Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)
In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部，連同14為創作和研究者繼續堅持實驗（性）作為一種整體的生活態度，並以房子這個熟悉而具體的日常空間為前題，看如何因著創作的行動，人的主體與媒體技術的互相啟發，「家」、房子就成了發聲運動的起點。
Winnie Yan / 談畢業展、實驗、語言和影像 – <大頭落山：畢業作品放映會> 放映札記 Graduation show, being experimental, language and images: “be the rolling stones”
"Be the rolling stones," an alter graduation art show, ignited discussions on experimental actions and moving images as the makers' unique connection with the lifeworld. Winnie Yan interviewed some of the participating artists...
Linda Lai / A constellation with dotted connectivity: why I made a dispersive monument
To make a monument that does not monumentalize... Linda Lai explains her conception of "Mnemonic Archiving" in which 19 new objects embody her videography to date at Pearl Lam Galleries-Singapore, 7 May - 3 July 2016.
Josef Bares / Lee Kai Chung, “So Many Quiet Walks to Take” – from archiving history to becoming private
[FP EXHIBITION REVIEW) Josef Bares discusses Lee Kai-chung's strategy of rendering public records to "becoming private," "expressing some things and feelings too nuanced to be expressed in words."
Lilian Fu / Animating subjective facts: The reasons and methodologies of exploiting animation in documentaries.(Part 3)
written by Lilian Fu 2013 ** this version is slightly amended for internet publication. Various reasons and methodologies in animation documentary CASE STUDIES Silence (1998/Sylvie Bringas and Orly Yadin) Silence has an alternative approach…
Lilian Fu / Animating subjective facts: The reasons and methodologies of exploiting animation in documentaries.(Part 2)
written by Lilian Fu 2013 ** this version is slightly amended for internet publication. Various reasons and methodologies in animation documentary CASE STUDIES Animation is an art, a stance, a record of psychological and…