Tag / installation arts
WONG Chun-hoi / 勤力電路 #1.0 – #1.4 Hardworking electricity #1.0-#1.4
FP Art Engineer Hoi9 (Wong Chun-hoi) reviewed his ever-growing work-in-progress, a generative series that began with turning electricity into artistic raw material. An impulse: undress thickly dressed media art pieces, show the skeleton, open the black box.
Home-Making 2: Marking Space 間房要不要牆? 2 – 創造空間
7 artists get out of the moving image frame and turn their thoughts on home into a spatial dialogue on site, as part of "Have a Balanced Diet 3: Home Making, a project by FP member Ding Cheuk-laam.
Home-Making: do we need walls for our habitat? 間房要不要牆? – 日常飲像影食(3)
In “Home Making” (“Have a Balanced Diet” #3, 2019.07.12-26) FP member Ding Cheuk-laam and 14 other artists/researchers extend the quest for experimentation as a general attitude of life to home-making. What kind of habitats do we seek to create? How have we actually constructed our home via artistic imagination?「 間房要不要牆? 」是FP成員丁卓藍發起的《日常飲像影食》系列的第3部，連同14為創作和研究者繼續堅持實驗（性）作為一種整體的生活態度，並以房子這個熟悉而具體的日常空間為前題，看如何因著創作的行動，人的主體與媒體技術的互相啟發，「家」、房子就成了發聲運動的起點。
MAN Mei-to / 思緒撩亂的季節：沿著這路來到「彼岸之地」Whither my thoughts flow, to “Distance of Space” …
／文美桃 manmeito | artist Man Mei-to traces the many strands of everyday living conjoining in her recent show at FP (Apr-May 2018), "Distance of Space."
展覽 《彼岸之地》（2018.04.14-05.06），記錄著文美桃由讀書時期到畢業後三年這段時期的創作方向。展覽中沒有張狂的議題，沒有政治的走向，更沒有話語權的指向。一切都沒有指向的答案呈現給了觀眾。
Everlyn Char, Yang Yeung, Eddie Cheung / Distance of Space, Materialized bodily presence: visitors’ notes 訪者絮語:文美桃彼岸之地
Several visitors -- Evelyn Char, Yang Yeung and Eddie Cheung -- have preserved precious impressions for Man Mei-to's recent 3-week solo show "the Distance of Space" at Floating Projects.
FPC members / 計劃聚集記錄 Record of ensemble-plan
《計劃聚集》為「據點。句點」的原生遊戲系列《黃竹坑聚疊》。句點藝術群體會在區內拾遺，不加思索地處理著現成物料，推斷著現成/被棄物的物理性，可衍生的下一步。其後數輯聚疊遊戲行動演化出即興演出《據點空間壓力測試》系列、無意間訂下了的遊戲規則繼而鞏固了能夠容納各種裝置實驗的平台。這也許就是「據點。句點」作為身處黃竹坑的藝術工場的基調，是工場空間「變形蟲」地誌。Wong Chun-hoi, FP's Artistic Engineer, preserves a dense record of the process of staging FP's Assemblage game in a gallery in Taipei.
FPC members / 《吹脹．影像》繼續吹 “Expænsive Cinema”, keep blowing, keep expanding
9 FPC artists stretch the possibilities of the moving image -- the projecting apparatus, the projected image, the moving and projecting processes, projected surfaces, how and where... 九位「據點。句點」藝術家心目中的活動影像的膨脹性、膨脹度是怎樣的？他們多方對策：投影的器具、所投的影像何來、成像的過程、展示影像的「面」...
Samson Cheung /「曝光」之下 — 演後感 Notes on performing “Under Exposure”
「相片沉了藥水後從一將白紙慢慢顯影。」這就是「曝光」。張才生就個人展覽 《從觀看說起》 及閉幕演出《「曝光」之下》給自己作了一點記錄。Artist Samson Cheung reflects on his "exposure" (exhibition and performance) in his solo show at FP last December (2016).
Linda Lai / A constellation with dotted connectivity: why I made a dispersive monument
To make a monument that does not monumentalize... Linda Lai explains her conception of "Mnemonic Archiving" in which 19 new objects embody her videography to date at Pearl Lam Galleries-Singapore, 7 May - 3 July 2016.
Josef Bares / Lee Kai Chung, “So Many Quiet Walks to Take” – from archiving history to becoming private
[FP EXHIBITION REVIEW) Josef Bares discusses Lee Kai-chung's strategy of rendering public records to "becoming private," "expressing some things and feelings too nuanced to be expressed in words."