Tag / Floating Projects open door
Fuk-kuen Wong / 聚疊的各種天氣 (the weathers of the assemblage-assemblies)
It takes many brains and strong desires to subvert a bulk of junk -- Fuk-kuen Wong looking back at the Assemblage events in May and June 2022. 要顛覆一堆垃圾，確實需要大量腦汁＋動手的慾望。黃福權回望兩個月來的石硤尾「聚疊」重探。
Michael Leung / Assemblage as Assembly「石硤尾聚疊」2022：聚集、共融
熱身後的「聚疊」有了新的呼吸，5月20日晚上現場。梁志剛角度。 FPC member Michael Leung breathes with his first trial of SKM Assemblage on 20 May ... Disparate geographic locations connect through loose thoughts... Assemblage growing ...
Niki Siu / Why and how I made Gingerbread Man’s Destiny, notes to a pop-up show 薑餅人命運的聯想：動物平權創作手記
"Is double standard the emblem of our social reality?" -- Niki Siu’s annotations on her week-long POP-UP “Laugh At Last: Gingerbread Man’s Destiny” at Floating Projects, 8-14 May 2021, the result of a half-year long thesis-art production.「雙重標準是社會現實的代表？」蕭麗琦為她的畢業論文作品作註腳，從民間流傳的故事薑餅人說起。
Mizuho Yamazaki, Virginia Liu / OWNNESS, an apexart 2021 winning proposal examining “her body”…
Five female artists will juxtapose their works to tackle gender inequality, showing how women across East Asia are fighting hand in hand to reassert their bodily control in their terms.
Barren Rock Artchive 無用石 / 【Notes 筆記】Withstanding the collapse of our world《殘酷與美好》面對崩壞的世界
Barren Rock Artchive's review on the dual-show "Ferocity & Wonderment" (Jan 2-Feb05) at Floating Projects, originally shared on 13 January 2022, is now re-posted at Floating Teatime' ArtNotes with the author's permission. 原文發表於無用石的面書和 Instagram (2022.01.13)。感謝分享於「據點一杯茶」文字平台。
MA Wik + WONG Sin / Desolate Prairie And Warm Prairie 咀嚼咀嚼⋯⋯荒涼草原與溫暖草原
2022.01.02-02.05. The duo Ma Wik (Joyce) and Wong Sin (Zero) opened their "Ferocity & Wonderment" with a happening impregnated with recitation and sounds. The two artists share the text of their live reading below... 馬域和汪倩的雙個《殘酷與美好》以即興行為作序幕。聲音和朗誦一地灌滿。朗讀的文本在此分享。
Ray LC / MAKE FOR GREEN, 4 briefs for participatory design-fiction for climate action 四個造「綠」的參與性點子
MAKE FOR GREEN, conceived by FP member Ray LC with other researchers, resulted in a pop-up exhibition of participatory art works using design fiction approach to actions for climate change. Although the show is finished, Ray shares the process, rationale, and deliverables of this short exercise.
FPC / Micro Narratives 2021 “Layered Vision” 「微敘事」系列2021 《層層看》
"Micro Narratives 2021: Layered Vision" at Floating Projects | 11 December 2021, 6-8pm | Linda Lai's pedagogy: materialist cinema, agential realism...
Andio Lai / Sketch 2: Floating, Surfing, Working on… 再稿: 浮遊，流動，工作進行中
"Sketch 2" picks up the question of what a sketch could do beyond drawing, beyond pen and paper, beyond the concept of a draft. Sketch is an extempore -- on the spur of the moment, an artist encounter the many more possibilities awaiting. FPC members' pop-up show will be kicked off by an initial assemblage event with modifications in 21 days.《再稿》-- 自2018年後《稿展》再度出擊。打開「稿」的種類、載媒、應用和意義，也是「據點。句點」成員的再一次聚疊，透過展示他／她們的「稿」件，用另一種方法展示他／她們的藝術關注和創作上的路徑。21天。天天換景，重組再疊。行動就是探索。
Linda Lai for FP / Fresh videos, in-depth transformation: 3 thoughtfully crafted journeys of the selves 三種深度轉化：三段不一的旅程
19 June 2021 六月十九日. Three video essays on living through time with one's bodily presence. Tracey Ngai acts out her retrospection. Faith Monsod turns image objects into a passage to the infinite liminal. Pun Tsz-wai's past resides in media artefacts and urban legends. Three fresh videos completed in May 2021, premiered at Floating Projects. 三個今年五月新鮮出爐的錄像文章。據點首次亮相。記憶是甚麼？我是誰？我的根是甚麼？用身體的實存與行動。魏芷軍演述；潘子懷在都市神話中設置自己；Faith Monsod 的主體盡在可翻開可啄蘑的聲影碎片中。