Tag / experimental video
Linda Lai for FP / Fresh videos, in-depth transformation: 3 thoughtfully crafted journeys of the selves 三種深度轉化：三段不一的旅程
19 June 2021 六月十九日. Three video essays on living through time with one's bodily presence. Tracey Ngai acts out her retrospection. Faith Monsod turns image objects into a passage to the infinite liminal. Pun Tsz-wai's past resides in media artefacts and urban legends. Three fresh videos completed in May 2021, premiered at Floating Projects. 三個今年五月新鮮出爐的錄像文章。據點首次亮相。記憶是甚麼？我是誰？我的根是甚麼？用身體的實存與行動。魏芷軍演述；潘子懷在都市神話中設置自己；Faith Monsod 的主體盡在可翻開可啄蘑的聲影碎片中。
NGAI Tsz-kwan / A Trip to “There” — an indefinite journey that fuels itself 在記述的軌道上作內部連結：《我在追憶，我在追，我在》
It is perhaps a maker's natural obsession to narrate oneself, deliberately or not, but through one's life-time. A Trip to There, Tracey's graduation thesis, is in a way a monumental push to enter this journey in flux. Embracing all she can, there also always seems to be void to fill. Traces of her having been there are as concrete with a forensic rigor. 每個創作者都曾經 -- 以至窮盡一生 -- 有意識或不自覺的記述自我。年青藝術創作人魏芷軍很用力的穿過這甬道，滿滿的收穫，卻又惘然若失。實在的卻是用時間和身體鑄出來的創作道途。愛看（錄像）作品的朋友們：這裡，你會讀到一個認真地記下來的寶貴創作歷程。潛進後，我們會對藝術的耕耘多一份敬意嗎？
Faith Monsod / Liminality & the full-stop that never came 虛界裡的游離身份，等待不會來的句號。
Is there an intangible essence that might embody who we are? What positions do memories hold in forming one’s identity? Do our physical bodies suffice in representing us? How much of our sense of self relies on the reflexive process that governs our interpersonal relationships? HK-born Faith Monsod commits her graduation thesis to the quest.「我是誰」可以被理解為無形的實質嗎？例如，記憶能賦予我個人身份嗎？我的身體足以表徵我時誰？我的「自我意識」有多少是由我與別人的變動中的關係所衍生的？出生於香港的 Faith Monsod 用一個21分鐘的畢業作品去回應。
Manifesto 2 team / “Documentary Impulses” Book Launch meeting series 03《記述的衝動》新書發佈見面系列 03
Book Launch. Celebration. Meet the Artists. Third book launch event (in Cantonese), 6 June 2021, introduces 4 of the 49 teams/artists in OUR MANIFESTOS 2, to give us a foretaste of the works and personal manifestos in the 365-page book, released on 2 June 2021. ALL are welcome. The new book will be available for sale.
Linda Lai / Videography as Tentacular Practices: “Linda Chiu-han Lai, Retrospective,” C3A, Spain 錄像書寫作為多觸創作（黎肖嫻錄像回顧選輯）
Linda Lai wrote "Videography as Tentacular Practices" to introduce the "Linda Chiu-han Lai, Retrospective," 2021,02.05-06.13 at Centro de Creacion Contemporanea de Andalucia (C3A), Cordoba, Spain. 黎肖嫻為 2021,02.05-06.13 在西班牙科爾多瓦的安達盧西亞當代美術館的《黎肖嫻回顧展》寫「錄像書寫作為多觸創作」陳述她的創作方法和理念。
Winnie Yan / Proper Nouns: Confession on ending things with “Localized Blindness” 專有名詞－以《局部失明》作結的自白
Localized Blindness (2019-2020) is Winnie Yan's most recently completed video work, for Manifesto 2. She spotlit the backstage of the work's making process, performing the complex world of thoughts and emotions traversing within. 忻慧妍的《局部失明》含蓄如密碼佈陣，定睛創作的後台是另一種風景。與其說是心情和動機上的剖白，不如說是現在進行式的隨著她的思緒找發聲的調韻。聽一個人所訴之白跟看著一個人訴白，是兩個不同的經驗，都源自記錄的衝動。
Don Tsang / 寫給會去看我鮮浪潮的人 To those who went and may come to see my video “Morning” at Fresh Wave 2017
To those who have watched his apparently uneventful video Morning screened at the recent Fresh Wave 2017, Don Tsang unravels the "thick and dense" thoughts underlying the work. 曾旭熙說《無念》：平淡的家常"細藝"背後的密集思考...
Linda Lai / 12 Manifestos on Videography from 12 Young Video Artists on 18 Concrete Videos 《12個宣言。錄像書寫為何。關連的18個塑形錄像作品。》
These manifestos are to accompany the 18 works in the Concrete Videos program to be screened at Floating Projects, 4:00-6:00pm, 9 January 2016, produced and curated by Linda Lai. +The project described…