Tag / collage
Niki Siu / Why and how I made Gingerbread Man’s Destiny, notes to a pop-up show 薑餅人命運的聯想：動物平權創作手記
"Is double standard the emblem of our social reality?" -- Niki Siu’s annotations on her week-long POP-UP “Laugh At Last: Gingerbread Man’s Destiny” at Floating Projects, 8-14 May 2021, the result of a half-year long thesis-art production.「雙重標準是社會現實的代表？」蕭麗琦為她的畢業論文作品作註腳，從民間流傳的故事薑餅人說起。
Multiple artists / Voices from the Atmosphere (3): spit it out… 「大氣中融融細語」（三）: 不吐不快
More wavering thought paths... Is remembering the same as nostalgia? What does street photography remember? Shall I be pretty, shall I be loved? What would happen to to me when I die? There are moments when you must spit it out... #4 D-Normal/V-Essay online video zine, collected and edited by Linda Lai. 記住就是懷舊了嗎？街頭攝影可記住的是甚麼？我長大後會漂亮嗎？會有人愛我嗎？我死了以後會怎樣？有些事情，確實不吐不快。... 黎肖嫻蒐集彙編，更多搖擺的思路。《平地數碼》網上錄像誌第4期。
Ventriloquists 2021 / 03-Cut-up moving images: how I see the world 腹語系之三：「拼貼」，我這樣看世界
Collage and montage are well known genres in art, impregnated with subversion and revisionist intentions by playing with established cultural meanings; and the latter highlights not only clashes of images, but also juxtaposition, sequential ordering and more, calling our awareness to our existence as temporal and spatial beings. and art beyond making copies of our world. A few serious exercises of such intentions... 拼貼（單幅圖像）和蒙太奇方法有別，語法上、態度上、意識的探索上，都具創新的意向。拼貼顛覆文化符號的意義；蒙太奇說我們的存在是時間的存在、空間的存在以至創造。幾個有這種視野的小習作...
Money Supply: 4 episodes 貨幣供應：四種座標
"Money Supply" 《貨幣供應》 a show by Yasmine Huang, opened on a quiet Saturday on 11 May, to explore how art and social criticism may work together. The opening gathered a dozen of spontaneous visitors who readily turned her concern into ramifications of many burning questions of art beyond politics. 《貨幣供應》在晴朗溫煦的週末黃昏開幕，黃安瀾的四組作品是她對藝術創作與息息相關的生活、經濟課題可以如何銜接的策問，由研究出發，招引到場的來訪者恰巧都興致勃勃，把眼前的作品打開，引發各種與創作有關的閒談。