Tag / Hector Rodriguez
Hector Rodriguez / [revised] Notes on Foucault’s Heterotopia – 3 福柯的「異托邦」(筆記三)
Heterotopia, next to its spatial otherness, constitutes an alternative temporal ordering, giving an impression of timelessness, or emphasizing the transitory and the ephemeral. Heterotopias are produced, with a transformative tendency, and cannot be reduced to readymade methods or generalization of types.「異托邦」在空間性和時間性上都擁有其另類的秩序。它不是任何別的空間正因為它有自己的時間組織。如何把「異托邦」推進為帶有「轉化」力的實踐?這比簡化「異托邦」為普遍值更為重要。
Hector Rodriguez / [revised] Notes on Foucault’s Heterotopia – 2 福柯的「異托邦」(筆記二)
Heterotopias as spatial realities confront us with the need to undo established syntax and linguistic categories as they do not exhaust all the possibilities open to visual experience. New orderings are always possible which fall outside our customary expectations. 思考異托邦的涵義有助我們打開我們的社會政治的想像,不住尋求另類的思考和行動模式。異托邦是一套語彙,要求我們在論述語言上的更新,開拓新的語彙就是開拓新的秩序。
Hector Rodriguez / Notes on Foucault’s Heterotopia – 1 福柯的「異托邦」(筆記一)
「異托邦」:我們都活於空間的時代。異托邦是論述的空間,網絡的空間,社會的空間,思維的空間,效率操控的空間...卻絕對不是單一、單向的空間。 In 3 parts, Rodriguez's reading report traces the centrality of space cutting through Michel Foucault's corpus through the concept of "heterotopia."
Hector Rodriguez / Framing Diseases 04: War Frame, Bio-militaristic Metaphors… What’s beyond? 建構疾病 四:「戰役框架」、「生物軍國主義」以外可有別的疾病圖像?
A "war frame" and the use of militaristic metaphors have dominated the way we understand diseases. We are caught up in a bio-militarist vocabulary by which our knowledge of diseases is filtered through notions of besiege, battles, resistance, combat and so on. Are there other ways to frame diseases? In #04 of his extended reading report, Rodriguez raises the question and gathers some alternative views ... 除了「戰役」的框架外,還有別的嗎?有沒有別的「隱喻」?是時候認真檢視「醫學人文學科」的發展,超越「生物軍國主義」對我們在認知疾病上的限制。羅海德繼續他的一連串讀書報告:如何述說 (narrativize) 疾病是尋求出路的起步。疾病作為敘事,有關疾病的敘事,敘事作為疾病,三者並行。
Hector Rodriguez / Framing Diseases 03: COVID-19 and the cooperative society 建構疾病 三:COVID-19與協作的社會
If a global cooperative society is essential to the combat of COVID-19, our situation is a gloomy one. Current geo-politics does not take us out of a notion-based combat strategy; and the causal mechanisms presumed by the science of epidemics require enormous financial support. 如果疾病、傳染病是「文化形態」,有個人、群體、社會機制、地緣政治、經濟能力各個多種的面向的話,又必須有超越國族為本的協力社群,為何我們每天聽到和針對的,都僅是處理個人和病毒之間的操守?
Hector Rodriguez / Framing Diseases 02: Disease and the cooperative society 建構疾病 二:疾病與親和協作的社會
Germ socialism implies we are all bound together. It rests on "the utilization of the power of all for the good of all," which results in hygiene, i.e. the science of the prevention of diseases. Hygiene presumes the causal mechanism of diseases can be uncovered. Furthermore, this disease picture presumes that nobody is safe unless everyone is safe. There is a close relation between the dominant diseases of a given period and the character and style of that period. ... 「病因學」的源頭和因果機制設定意味著傳染病發生事我們同一條傳,必須親和協作,而「衛生」的實踐,就是截斷因果鏈,防止病菌病毒的蔓延。
Hector Rodriguez / Framing Diseases 01: Disease pictures 建構疾病 一:疾病的圖像
In response to the expanding discursive battles of COVID-19 at the centre of new global politics, Hector Rodriguez focuses on the disease research as a discursive practice, de-mystifying lay assumptions that scientific knowledge is absolute and objective. From "disease picture" to "world picture" lies a series legitimizing mechanisms that are beyond medicine. 回應 COVID-19 所的牽連的論述戰和全球政治,羅海德博士的「建構疾病」系列針對疾病醫理研究如何建基於特定的前提,打破了外行人以為科學知識絕對而客觀的一廂情願的看法。
ZHANG Zimu /「歧路結節,開合解密」, 談羅海德個展 A review of Hector Rodriguez’s “Hidden Variables: Forking Paths of Visuality & Technology”
作為一個進深的影像活動研究者,張子木回顧剛完滿結束的羅海德首個個展(「文字機器創作集」第六輯),探出有別於一般影像創作的理路、胸襟。Zhang Zimu, advanced researcher of moving image events, sheds light on Hector Rodriguez's unusual rationale, impulses, technical and theoretical approaches to moving-image making as critique, as were articulated in the first solo show he just completed for the the Writing Machine Collective 6th edition.
Linda Lai / Orientations: Boundaries Surveyed. A video art show I curated for EXiS 2017
Linda Lai elaborates on a video art program she recently presented at the EXiS 2017 (Seoul) to map a trajectory of practices in contemporary video art in the Asia Pacific.
Categories
Authors
- 5HiNo
- admin
- Allison H.
- Andy Li 李新傑
- Briar Faith Monsod
- Cherie Wong 王晴雯
- CHEUK Wing-nam 卓穎嵐
- Cheung Yu-tsz
- Chin-yin Chong 張瀞尹
- CHIU Yee-ling 趙綺鈴
- Cici Wu 武雨濛
- Ding Cheuk-laam
- Don Tsang 曾旭熙
- Dorothy Wong Ka-chung 黃加頌
- Dory Cheng 鄭嘉雯
- Edwin Lo
- Elliot W.Y. LEUNG
- Elliott Wan 溫啟朗
- Emilie Sin-yi Choi 蔡倩怡
- Evelyn CHAR 查映嵐
- Floating Projects Collective
- Gyung-jin Shin 辛庚珍
- Hangjun Lee
- Hector Rodriguez 羅海德
- Ho Yue-jin 何禹旃
- Hugo Yeung 楊鳴謙
- Jess Lau + Linda Lai
- Jess Lau 劉清華
- Jessica Fu
- John Batten
- John Chow 周皓風
- Josef BARES
- Kel LOK 駱敏聰
- Kimburley Choi
- Kin-choi Lam 林建才
- LAI Chung Man Andio 黎仲民
- LAI Wai-leung 黎偉亮
- lenelenejo
- Lilian Fu 傅詠恩
- Linda Chiu Han Lai 黎肖嫻
- MA Wik, Wong Sin 馬域、汪倩
- Man Mei-to
- Manifesto 2 Team
- Martha Mai Hatch
- Martin Yeung 楊錫齊
- Michael Leung / Linda Lai
- Michael Leung 梁志剛
- multiple artists
- Natalie A. Chao to Linda Lai
- Natalie A. Chao 趙芷妮
- NGAI Tsz-kwan 魏芷軍
- Niki Siu 蕭麗琦
- PUN Tsz-wai 潘子懷
- Ray LC Studio for Narrative Spaces
- Ray LC 羅銳
- Ryan Chung
- Sam Chan 陳顯宗
- Samson Cheung 張才生
- Simone Dompeyre
- Song Zheng
- The Ventriloquists 2021 腹語系2
- The Ventriloquists 腹語系
- Tracey Ngai / Faith Monsod / Pun Tsz-wai
- TSE Lam-hei 謝琳禧
- Vanessa TSAI 蔡季妙
- Vennes Cheng 鄭秀慧
- Vicky Do
- Wendy TAI
- Winnie Yan Wai-yin 忻慧妍
- Wong Chun-hoi 王鎮海
- WONG Fuk-kuen 黃福權
- Yeon-kyoung Lim 林妍卿
- Yeung Yang
- YIP Kai-chun 葉啟俊
- Yip, Olivia Wai-ka
- Yuk HUI 許煜
- Zach McLane
- Zach McLane to Linda Lai
- ZENG Hong 曾泓
- 卡位埋邊 (FPC)
- 張子木 ZHANG Zimu
- 温倩蘅(小肥) Cynthia Wun (Siu Fei)
- 無用石 Barren Rock Artchive
- 蔡世豪 Choi Sai-ho (S.T.)
- 馬域 MA Wik
Archives
- July 2022 (7)
- June 2022 (3)
- May 2022 (5)
- April 2022 (5)
- March 2022 (4)
- February 2022 (2)
- January 2022 (4)
- December 2021 (4)
- November 2021 (6)
- October 2021 (6)
- September 2021 (8)
- August 2021 (13)
- June 2021 (10)
- May 2021 (6)
- April 2021 (2)
- March 2021 (8)
- February 2021 (4)
- January 2021 (3)
- December 2020 (6)
- November 2020 (4)
- October 2020 (7)
- September 2020 (10)
- August 2020 (5)
- July 2020 (32)
- June 2020 (25)
- May 2020 (20)
- April 2020 (9)
- March 2020 (3)
- February 2020 (1)
- January 2020 (1)
- November 2019 (1)
- October 2019 (1)
- September 2019 (3)
- August 2019 (4)
- July 2019 (6)
- May 2019 (6)
- April 2019 (1)
- March 2019 (4)
- February 2019 (1)
- November 2018 (2)
- October 2018 (1)
- September 2018 (4)
- August 2018 (2)
- May 2018 (3)
- February 2018 (1)
- January 2018 (3)
- December 2017 (1)
- October 2017 (1)
- September 2017 (2)
- August 2017 (1)
- June 2017 (2)
- April 2017 (1)
- March 2017 (2)
- February 2017 (1)
- January 2017 (3)
- December 2016 (1)
- November 2016 (10)
- September 2016 (8)
- August 2016 (1)
- July 2016 (3)
- June 2016 (1)
- May 2016 (1)
- April 2016 (1)
- March 2016 (2)
- February 2016 (2)
- January 2016 (1)
- December 2015 (4)
- November 2015 (3)
- October 2015 (1)
- September 2015 (3)
- August 2015 (4)
- July 2015 (5)
- September 2013 (1)
- July 2013 (1)
- June 2013 (1)
- April 2012 (1)
- November 2011 (1)
- June 2011 (1)
- September 2010 (1)
- August 2010 (1)
- July 2010 (4)
- June 2010 (3)
- May 2010 (9)
- April 2010 (5)