Tag / exhibition review
白色的時間－往 臺中國際動畫影展 札記
FP writer/editor Winnie Yan reflects on her visit to the Taichung International Animation Festival (13-17 Oct 2017) and finds "concepts and theories" less learned in class. Traversing through works across generations and continents, she asks, "What is it that makes us willing to condense our life into a short string of images?" 忻慧妍問：是什麼令我們願意把自己的生命濃縮成一小段影像呢?
Space | power | IDENTITIES: a Review of the image exhibition, “What Do You Want For Tomorrow”
Photographer Vicky Do reviews "What Do You Want For Tomorrow" (2016.08.10-2016.09.26, HK Heritage Museum) curated by Wong Wo-bik and Stella Tang. She finds this 12-woman art event more than a photography show or one that tokenizes women.
《現在進行》一思再思 Present Continuous: still thinking…
Critique, review, critique, self-discovery, artistic experimentation, critique, articulation, self-discovery... Wong Fuk-kuen finds himself in this recurrent routine Floating Projects highly values. Extreme modes of artistic exploration of things in our physical world often push us (him) in the direction of science... Danger, Wong finds, is the unique interface he generates in his exploration.
走過泡菜大地（一）：韓國光州及首爾的藝旅勾描，光州雙年展以外 Art in Gwangju and Seoul beyond the biennales
A deliberate dual emphasis on domestic artists and international stars, the care for documentation and criticism as regular agenda items, and growing experiments on alternative independent art-space models from within the art community... Evelyn Char notes her observation in a recent art tour to Gwangju and Seoul.
[Review by Yeung Yang] Hardworking Burning Electricity – Wong Chun Hoi Solo Exhibition
[FP EXHIBITION REVIEW] Yeung Yang identifies three sets of dilemma - techno-culture, dumb objects, and the challenge of a solo show - and ponders on the place of affect in Wong Chun-hoi's "Hardworking Burning Electricity."
Lee Kai Chung, “So Many Quiet Walks to Take” – from archiving history to becoming private
[FP EXHIBITION REVIEW) Josef Bares discusses Lee Kai-chung's strategy of rendering public records to "becoming private," "expressing some things and feelings too nuanced to be expressed in words."
Wong Chun-hoi’s “Hardworking Burning Electricity”
[FP EXHIBITION REVIEW] Josef Bares makes sense of an assemblage of cables and switches in Wong Chun-hoi's solo show -- electricity personified...