Tag / everyday objects
The Ventriloquists 19. on nonsense in Svankmajer’s Jabberwocky (1971) by Steven Tsang 有關「物件」的動畫,打開怪趣無釐頭之門,打開文明歷史規範的一些「真相」
An assembly line of human figures grinding human figures for food, dolls feed dolls, doll eats dolls. Ironing, flattering, being dressed, being cut up, being tamed... Beyond Svankmajer's dramatization of carnivorous acts, Steven Tsang sees the politics of nonsense, which the animator structured against the paradigm of human civilization. The animator wants us to see differently, and asks a different sort of questions in following a narrative unique to his use of stop-motion animation. 看到喂小娃娃的大娃娃就知道是女的,看到舞動的水手裝就自動知道是男的。再看下去,人吃人,有血有肉的黑貓時不時推倒積木,一面是歷史砌圖,另一面是迷宮的路線...最終,它被鎖在籠裏動彈不得。屋子裡一個「人」也沒有,卻充滿了人類的活動。物件長年累月吸收了人類強加它們身上的「用途」、「價值」,也穿背著人類的規範,像鬼魅的模仿著我們的「正常」活動。曾俊良看到歷史、文明、性別的社會結構。能看到,因為看穿了動畫大師史文梅耶以物件為本的獨特敘事結構和跨媒想像。
The Ventriloquists 03. On Švankmajer’s Jabberwocky (1971) by Harmanjeet Singh 「物件」變「東西」。現在進行式傳真。定格動畫。
On the eve of The Ventriloquists' physical opening, ... Adapting Ben Hjorth's “Philosophies of Non-sense: Jan Svankmajer’s Jabberwocky”; Senses of Cinema, issue 71, 2014, Harmanjeet Singh pays special attention to Švankmajer’s object play.
LAI Wai-leung / 總在你身邊(七): 蟹緣半生 Just Around you 7: half of a life with crabs
To remember the crab cuisine of our city is also to remember the rise and fall of her glamour. FP writer Wai stock-took a dozen of connoisseur recipes and other popular ways to prepare crabs ... 記住吃過甚麼,是記住自己存在過的一種方法。往事煙消雲散,舊物亦難再回味,FP 黎偉亮衹好挖掘記憶留下文字聊以解饞,亦算為本土飲食文化最輝煌時代留下點滴印記。十幾款蟹菜。一些消失了的名店。一些 DIY 的提示。
LAI Wai-leung / 總在你身邊(六):如果 Just around you 6: if…
In the 6th piece of his "Just Around You" ficto-documentary series, FP writer Wai tells a familiar story often told in Hong Kong movies and TV series except that it is a real one. 黎偉亮在虛擬式記錄系列「總在你身邊」6 說了個耳熟能詳的香港邊緣人的故事,像極了電影電視橋段,只是...。「不是要寫一篇警世的文章,只想訴說人生的無奈,可憐可悲還可恨,祇能由自己決定。」
Linda Lai / READING REPORT (2): To Zoom or not to Zoom: More Questions 「讀書報告」二:Zoom不Zoom?沒有純科技問題。
有關Zoom的激烈討論至今已冷卻,如今又聽聞中學生要求罷用Zoom作網上學習。為了趕得上,黎肖嫻以這文章的上下集用自己的經驗為Zoom的爭辯寫個讀書報告。沒有純科技問題。如何活在大數據時代?Linda Chiu-han Lai follows her own footprints of using and struggling with Zoom since mid-February, and turns it into an extended reading report to situate her thoughts. This is part 2 to complete: how to live in a big data milieu?
Linda Lai / READING REPORT (1): To Zoom or Not to Zoom: is that the question?「讀書報告」一:計算好,網上見。Zoom不Zoom?
有關Zoom的激烈討論至今已冷卻,如今又聽聞中學生要求罷用Zoom作網上學習。為了趕得上,黎肖嫻以這文章的上下集用自己的經驗為Zoom的爭辯寫個讀書報告。Linda Chiu-han Lai follows her own footprints of using and struggling with Zoom since mid-February, and turns it into an extended reading report to situate her thoughts.
Manifesto 2 team / Documentary impulses: what to remember, how to remember (1) 紀錄的衝動:如何記住,記憶的實作(一)
Manifesto 2 artists have started to meet on-line to examine the what, why and how of their videographic practices as ways to remember. This is the first of a series to report on the artists' conversations. We kick off with team-members' words from Linda Lai, Winsome Wong and Elaine Wong on how they envision the project. 「錄像宣言2」的創作者的在線對話已經啟動,將在此園地陸續發表。首先,團隊成員的其中三位 - 黎肖嫻、黃慧心、黃淑賢 -- 先來道出這次計劃點滴心思與憧憬。
WONG Chun-hoi / 勤力電路 #1.0 – #1.4 Hardworking electricity #1.0-#1.4
FP Art Engineer Hoi9 (Wong Chun-hoi) reviewed his ever-growing work-in-progress, a generative series that began with turning electricity into artistic raw material. An impulse: undress thickly dressed media art pieces, show the skeleton, open the black box.
Home-Making 2: Marking Space 間房要不要牆? 2 – 創造空間
7 artists get out of the moving image frame and turn their thoughts on home into a spatial dialogue on site, as part of "Have a Balanced Diet 3: Home Making, a project by FP member Ding Cheuk-laam.
Money Supply: 4 episodes 貨幣供應:四種座標
"Money Supply" 《貨幣供應》 a show by Yasmine Huang, opened on a quiet Saturday on 11 May, to explore how art and social criticism may work together. The opening gathered a dozen of spontaneous visitors who readily turned her concern into ramifications of many burning questions of art beyond politics. 《貨幣供應》在晴朗溫煦的週末黃昏開幕,黃安瀾的四組作品是她對藝術創作與息息相關的生活、經濟課題可以如何銜接的策問,由研究出發,招引到場的來訪者恰巧都興致勃勃,把眼前的作品打開,引發各種與創作有關的閒談。
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