Tag / assemblage
Andio Lai / Sketch 2: Floating, Surfing, Working on… 再稿: 浮遊，流動，工作進行中
"Sketch 2" picks up the question of what a sketch could do beyond drawing, beyond pen and paper, beyond the concept of a draft. Sketch is an extempore -- on the spur of the moment, an artist encounter the many more possibilities awaiting. FPC members' pop-up show will be kicked off by an initial assemblage event with modifications in 21 days.《再稿》-- 自2018年後《稿展》再度出擊。打開「稿」的種類、載媒、應用和意義，也是「據點。句點」成員的再一次聚疊，透過展示他／她們的「稿」件，用另一種方法展示他／她們的藝術關注和創作上的路徑。21天。天天換景，重組再疊。行動就是探索。
Vennes Cheng / THINK-PAD series 02: History and archive are constructed 「書寫作為思考」筆記系列二：歷史及檔案皆為構成物
Reality once again confronts us with the fallacy that "history" is a subject that concerns only those studying the humanities. Researcher Vennes Cheng takes us back to a more basic question that deems history the literacy of contemporary global citizen, asking: what is the difference between historical reality and lived reality? 歷史是唸文科的人的事這想法或許有急切矯正的必要。歷史進入我們的日常知識領域，間接導引個人和社群行動的取決，或成為在位者下令的理據。退後一步，鄭秀慧問：歷史的現實與活在當下的現實有何不同？這是當代公民的基本道德素養罷。
FPC members / 計劃聚集記錄 Record of ensemble-plan
《計劃聚集》為「據點。句點」的原生遊戲系列《黃竹坑聚疊》。句點藝術群體會在區內拾遺，不加思索地處理著現成物料，推斷著現成/被棄物的物理性，可衍生的下一步。其後數輯聚疊遊戲行動演化出即興演出《據點空間壓力測試》系列、無意間訂下了的遊戲規則繼而鞏固了能夠容納各種裝置實驗的平台。這也許就是「據點。句點」作為身處黃竹坑的藝術工場的基調，是工場空間「變形蟲」地誌。Wong Chun-hoi, FP's Artistic Engineer, preserves a dense record of the process of staging FP's Assemblage game in a gallery in Taipei.