Category / Seriously Speaking 大聲發表
心裡無雲,都總可以推理治情,開拓感知。水中有明鏡,明鏡在心中。又或者,有些事情你總是咬著不放。You deserve to be heard. Features, expository and argumentative pieces, in-depth commentary and research-based writing… … Our mind takes forms — thought paths, a statue, a floating object, a system of tales, …
Martha Hatch / Urban Hijack: The Reproduction of Urban Space from the Lens of the Hong Kong Art Scene 騎劫城市:從香港藝術界的角度來看被重塑的城市空間
Martha Hatch detected a shift within the art scene in some shows she visited late last year. A new form of resistance? A new way to stay alive? An attempt to preserve a Hong Kong spirit? Hatch in in her final semester researching on art and urban space for her BA graduation thesis.
Linda Lai / [Put away] The Kid on the Street, a prototype in HK Cinema 街童上樓:大排檔、公屋,香港電影的民間典型
In the second of a series of field notes as short essays, Linda Lai continues to craft possible histories of Hong Kong's everyday interiority through the lens of “intelligentsia” responses within the filmmaking community in the immediate post-WW2 years. 一連三篇由「細路祥」出發的第二篇:黎肖嫻繼續探討「細路祥」化身銀幕上,成為了甚麼樣的文化資本。小孩所牽連的是一張複雜的管治的權力網。
Linda Lai / A-Chang the HK kid: Interpolating Education, Interpellating the Child 北方有三毛,南方有細路:1950 港產《細路祥》策問教育,召喚小孩
In a series of 3 articles, Linda Lai shares her field notes in film studies from a Cultural Studies perspective. The first discusses the kid A-Chang (1950), a HK counter-part of Shanghai's Three Hairs 1940s. 有關香港「細路祥」三篇連載的第一篇,黎肖嫻潛進環繞苦難中的孩子的沈甸甸而充滿矛盾的論述。
Vanessa Tsai / 也說說寫寫我的少小時候 Loose thoughts on my childhood days, all those years…
一個小時的飛航時間,把香港和台灣分隔成兩個歷史溯源和軌跡有交疊卻體驗不一樣的生活世界。又或者,貌不似而神似?身為小學老師的「據點」海外作者蔡季妙用今天的視野去「重訪」小時候的自己,不期然想起了教科書。Primary school teacher Vanessa Tsai, FP overseas contributor, revisits her young self through the lens of contemporary society: her primary school textbooks and experiences weigh on her massively. How is Hong Kong and Taiwan linked to and set off from one another other than the 1-hour flight that sets them apart?
Sam Chan / 從《三毛流浪記》#10 讀到變天的時刻 The denouement of Three Hairs’ Wanderings: anticipating a new habitat
2020年5月,陳顯宗從黎肖嫻手裡拿走了共10冊,於1974-76改編並重發的 1947-49年上海《大公報》連載的《三毛流浪記》的最後一集。時值文革尾聲。為何此時重新整理流浪記?有何逼切性?是「創傷性黑暗時代後價值觀」的重新建立?重新尋找容身之地的時代? Reading the final of the 10 volumes 1976 adaptation of the wanderings of Three Hairs of 1930s-40s, Sam Chan asks if the denouement of the series is also a form of closure to the Cultural Revolution, in search of the ethos and pathos for China's own post-trauma reconstruction.
Linda Lai / 我從摩羅上街地攤找到10 冊的《三毛流浪記》連環畫 I picked up The Wanderings of Three Hairs the Waif on Upper Lascar Row
The first of a series of articles on children, comic characters, movies and so on, to explore how the "child" is often the subject and object of interpellation to augment instrumental reasons in population management. Linda Lai started with her research notes on Sanmao (Three Hairs), a kid, a comics character created for adults, who has been "resurrected" constantly since his "birth" in 1930s in Shanghai. 以孩子論說苦難,召喚善心的行動,是人口或國民管理常用的工具理性,也是進步思想的倡議的濃縮再現。其實孩子們都是怎樣長大的?我們都曾是孩子。我們是怎樣活過來的?
Linda Lai / Video Essays as a Minor Literature 《平地數碼》。平地素馬,塵埃落定透微言。
Minority or majority is not about numbers. Majority practices could often be the conventions set by the minority few whereas what is broadly held may not be represented as "majority" positions. Being in the minority is not being weak. A "minor literature," to Deleuze, is a strategic position whereby "de-territorialization" begins. 多數或少數與數量無關;多數人奉行的操作可以是少數人所決定的,而大部分人視以為閒常的,未必為主導主流所涵蓋以至突顯。特勒茲論述中的「少數文學」是個可用的據點,是語言表述活動的「反山頭主義式佔領」的開始。
Linda Lai / From “Essay Film” to “Video Essay” 2: an expanded history of presentational immediacy and causal efficacy 從「散文電影」到「錄像文章」二:表達的即時性與因果功效的追求
The video essay is an expanding category, from the "film essay" named in the 1960s, generally considered non-fiction, to possible renewal of late 19th-C traveling lecture events which embraces pedagogic as much as fun purposes. Video essay is a form of "direct action" for the here and now, a critical response to the crisis of moving image as mnemontechnics (memory machines) that undermines our agency. 據點的《平地數碼》(2020年11月只2021年6月)志在翻開「散文電影」的系譜溯源,通過延伸的想像,擴大今時今日「錄像文章」的可用性以至成為如何活在當下的據點,對知識的守護和創造採取直接行動。請留意11月5日錄像文章比賽的正式發佈。
Linda Lai / From “Essay Film” to “Video Essay” 1 : Challenging classifications 從「散文電影」到「錄像文章」。破格,融合。
Invoking the term "video essay," Floating Projects advances into a new experiment – to generate a new virtual community through sharing thoughts and sentiments as short videos, a tactical move in our milieu of media convergence. The video essay competition is an experimental action about naming and renaming, and how to survive contemporary society in which personal articulation is more often shut off and short-circuited than encouraged, wherever we are.
Yuk HUI / 許煜悼格雷伯:如果你不相信烏托邦,你一定是傻瓜 Mourning David Graeber: if you do not believe in utopia, you must be an idiot
2020年9月2日,年僅59歲的著名理論家、人類學家、無政府主義者、社會活動家大衛·格雷伯(David Graeber)在威尼斯逝世。跟格雷伯交往多年的許煜博士為格雷伯寫悼念文,記述他「我們是99%」的信念而生的寫作和社會運動。Activist-anarchist anthropologist David Graeber died on 2 September 2020. Dr. Yuk Hui, an acquaintance with Graeber and collaborator, remembers the latter's impact on him.
Categories
Authors
- 5HiNo
- admin
- Allison H.
- Andy Li 李新傑
- Cherie Wong 王晴雯
- CHEUK Wing-nam 卓穎嵐
- Cheung Yu-tsz
- Chin-yin Chong 張瀞尹
- CHIU Yee-ling 趙綺鈴
- Ding Cheuk-laam
- Don Tsang 曾旭熙
- Dorothy Wong Ka-chung 黃加頌
- Edwin Lo
- Elliot W.Y. LEUNG
- Emilie Sin-yi Choi 蔡倩怡
- Evelyn CHAR 查映嵐
- Floating Projects Collective
- Gyung-jin Shin 辛庚珍
- Hangjun Lee
- Hector Rodriguez 羅海德
- Ho Yue-jin 何禹旃
- Hugo Yeung 楊鳴謙
- Jess Lau + Linda Lai
- Jess Lau 劉清華
- Jessica Fu
- Josef BARES
- Kel LOK 駱敏聰
- Kimburley Choi
- Kin-choi Lam 林建才
- LAI Chung Man Andio 黎仲民
- LAI Wai-leung 黎偉亮
- lenelenejo
- lilianfu
- Linda Chiu Han Lai 黎肖嫻
- Man Mei-to
- Martha Mai Hatch
- Michael Leung / Linda Lai
- Michael Leung 梁志剛
- Natalie A. Chao 趙芷妮
- Ryan Chung
- Sam Chan 陳顯宗
- Samson Cheung 張才生
- Simone Dompeyre
- Song Zheng
- The Ventriloquists 腹語系
- Vanessa TSAI 蔡季妙
- Vennes Cheng 鄭秀慧
- Vicky Do
- W. K. Lam
- Wendy TAI
- Winnie Yan Wai-yin 忻慧妍
- Wong Chun-hoi 王鎮海
- WONG Fuk-kuen 黃福權
- Yeon-kyoung Lim 林妍卿
- Yeung Yang
- YIP Kai-chun 葉啟俊
- Yip, Olivia Wai-ka
- Yuk HUI 許煜
- Zach McLane
- ZENG Hong 曾泓
- 卡位埋邊 (FPC)
- 張子木 ZHANG Zimu
- 温倩蘅(小肥) Cynthia Wun (Siu Fei)
- 蔡世豪 Choi Sai-ho (S.T.)
Archives
- March 2021 (1)
- February 2021 (4)
- January 2021 (3)
- December 2020 (6)
- November 2020 (4)
- October 2020 (7)
- September 2020 (10)
- August 2020 (5)
- July 2020 (32)
- June 2020 (25)
- May 2020 (21)
- April 2020 (9)
- March 2020 (3)
- February 2020 (1)
- January 2020 (1)
- November 2019 (1)
- October 2019 (1)
- September 2019 (3)
- August 2019 (4)
- July 2019 (6)
- May 2019 (4)
- April 2019 (1)
- March 2019 (4)
- February 2019 (1)
- November 2018 (2)
- October 2018 (1)
- September 2018 (4)
- August 2018 (2)
- May 2018 (3)
- February 2018 (1)
- January 2018 (3)
- December 2017 (1)
- October 2017 (1)
- September 2017 (2)
- August 2017 (1)
- June 2017 (2)
- April 2017 (1)
- March 2017 (2)
- February 2017 (1)
- January 2017 (3)
- December 2016 (1)
- November 2016 (10)
- September 2016 (8)
- August 2016 (1)
- July 2016 (3)
- June 2016 (1)
- May 2016 (1)
- April 2016 (1)
- March 2016 (2)
- February 2016 (2)
- January 2016 (1)
- December 2015 (4)
- November 2015 (3)
- October 2015 (1)
- September 2015 (3)
- August 2015 (4)
- July 2015 (5)
- September 2013 (1)
- July 2013 (1)
- June 2013 (1)
- April 2012 (1)
- November 2011 (1)
- June 2011 (1)
- September 2010 (1)
- August 2010 (1)
- July 2010 (4)
- June 2010 (3)
- May 2010 (9)
- April 2010 (6)