Category / Seriously Speaking 大聲發表
You deserve to be heard. Features, expository and argumentative pieces, in-depth commentary and research-based writing… …
Orientations: Boundaries Surveyed. A video art show I curated for EXiS 2017
Linda Lai elaborates on a video art program she recently presented at the EXiS 2017 (Seoul) to map a trajectory of practices in contemporary video art in the Asia Pacific.
寫給會去看我鮮浪潮的人 To those who went and may come to see my video “Morning” at Fresh Wave 2017
To those who have watched his apparently uneventful video Morning screened at the recent Fresh Wave 2017, Don Tsang unravels the "thick and dense" thoughts underlying the work. 曾旭熙說《無念》：平淡的家常"細藝"背後的密集思考...
Levitated Potentiality: moving images at Art Central 2017 移形换步: 流動的影像
A moving image program Linda C.H. Lai curated for Art Central 2017 brought together film projection and digital imaging works to show experiments and innovations transcend what we call old and new media...
談畢業展、實驗、語言和影像 – <大頭落山：畢業作品放映會> 放映札記 Graduation show, being experimental, language and images: “be the rolling stones”
"Be the rolling stones," an alter graduation art show, ignited discussions on experimental actions and moving images as the makers' unique connection with the lifeworld. Winnie Yan interviewed some of the participating artists...
Toy as Medium: artistic passion, self expression and the circuits of cultural artifacts 玩具之間：（再）創造熱情、表述、聚疊…以外
A casual chat in a summer afternoon among 3 FP members ignited childhood passion and intellectual curiosity, leading to a toy show in November. "Wai and Kel's model making involves intense concentration and techniques that parallel ... art making," Andio Lai discovers.
走過泡菜大地（二）：韓國光州、1980…2016 Gwangju’s ACC: site of revolt transfigured
Evelyn Char explores South Korea's biggest state-own Asia Culture Center, which archives art historical documents from various countries in Asia. She discovers that this new national monumental sits right on the former site of the 10-day long Gwuangju (Kwangju) Uprising in 1980 (aka May 18 Democratic Uprising, UNESCO), or Gwangju Democratization Movement.
Space | power | IDENTITIES: a Review of the image exhibition, “What Do You Want For Tomorrow”
Photographer Vicky Do reviews "What Do You Want For Tomorrow" (2016.08.10-2016.09.26, HK Heritage Museum) curated by Wong Wo-bik and Stella Tang. She finds this 12-woman art event more than a photography show or one that tokenizes women.
走過泡菜大地（一）：韓國光州及首爾的藝旅勾描，光州雙年展以外 Art in Gwangju and Seoul beyond the biennales
A deliberate dual emphasis on domestic artists and international stars, the care for documentation and criticism as regular agenda items, and growing experiments on alternative independent art-space models from within the art community... Evelyn Char notes her observation in a recent art tour to Gwangju and Seoul.
聲音觀察誌 Observing sounds…
Winnie Yan recounts her stagger towards appreciating sound-making that encourages the immediacy of exchange versus music for trained ears... 忻慧妍的聲音觀察誌 － 如何一步一步挨近聲音藝術。
A constellation with dotted connectivity: why I made a dispersive monument
To make a monument that does not monumentalize... Linda Lai explains her conception of "Mnemonic Archiving" in which 19 new objects embody her videography to date at Pearl Lam Galleries-Singapore, 7 May - 3 July 2016.