What Death Tells Me ; Cinema as Computation, Aurality, Vision ; by Hugo YEUNG Ming-him
《死亡如是說》—— 計算；聲音；動像 楊鳴謙個人展覽”
disc A
楊鳴謙 // 《死亡如是說》 Hugo YEUNG Ming-him // What Death Tells Me
130 mins
2016
computational cinema
disc B 創作緣由 | Perspectives
1. 創作緣由（一） | Perspectives 1
《尋索馬勒：伯恩斯坦導引》—— 第九交響曲的死亡預言
「伯恩斯坦談馬勒第九交響曲」(錄像)，哈佛講座《二十世紀的危機》(1972-73)
Ways to Mahler through Leonard Bernstein –
Mahler’s prophecy of death in his Symphony No. 9
Artist Hugo Yeung traces his research passage to the making of his algorithmic work What Death Tells Me.
Source material:
Leonard Bernstein, ‘The 20th Century Crisis’, a selection from a Harvard lecture series The Unanswered Question (1972-73)
Leonard Bernstein: “Mahler: His Time Has Come” – http://www.leonardbernstein.com/cond_mahler.htm
2. 創作緣由（二）| Perspectives 2
《魂斷威尼斯》
藝術家介紹和放映作品《死亡如是說》解構分析的素材 －
意大利導演維斯孔蒂的《魂斷威尼斯》(1971) (片長約130分鐘，英文字幕)
Where analytical decomposition begins:
what is in Luchino Visconti’s Death in Venice (1971)?
Artist Hugo Yeung will show the raw material of his work in its entirety, the complete work of Visconti’s Death in Venice, with a short introduction.
(appx. 130 minutes, with Eng. subtitle)
